So, if you follow me on Twitter, you probably saw me flip my shit earlier today about Deadly Skies, a 2006 sci fi disaster movie about an asteroid on a collision course with Earth. Literally the only thing separating it from every other movie of its type is the fact that the main characters are a black woman and and a gay man.

It’s not super well-made, with some juvenile editing choices at times — and some shots that are framed the way a lot of my classmates in college would have framed them. The dialogue is often very bad. The first act moves too slowly; the third act, a little too fast.

But it’s comfortable. It takes the tropes of the genre and points directly at me and people like me, saying, “THESE ARE FOR YOU TOO.”

Hey everyone, just dropping by to leave a couple of links.

First of all, I’ve put up a new post on Patreon, so if you’re interested in paying me for all this nonsense, you can go do that and then read it. In it, I talk a little bit about Final Fantasy VII: Crisis Core and how excited I am about the analysis of it that I’m doing. It’s gay, guys. It’s so gay.

Also, #ComicsGate is still a thing, I guess. Because some people still think that comics were better when they were all about white dudes fighting the most uncontroversial supervillains, forever, and ever, and ever. Despite the fact that this prelapsarian, apolitical version of comics never existed anywhere except in their own heads.

This is the first in my ongoing series of essay-length posts about the craft, content, and themes present in different pieces of geek media. This first essay is about the XMCU, airing my grievances about its chronology problem.


The X-Men Cinematic Universe has not been a shining example of consistency in superhero movie franchises. There have been three characters called Angel, only two of which are versions of Warren Worthington III, two Jubilees, two different Bolivar Trasks, and no solid grasp on when Scott Summers was born.

That said, most of these problems don’t become apparent until X-Men: Days of Future Past, and I want to argue that Bryan Singer is the man who ruined the XMCU’s internal coherence, mainly through negligence and an inability to recognize how time travel works. Singer’s return to the franchise lead to several temporal impossibilities, and while telling a story involving time travel can be complicated, the mistakes made here are really basic.