This is the first in my ongoing series of essay-length posts about the craft, content, and themes present in different pieces of geek media. This first essay is about the XMCU, airing my grievances about its chronology problem.
The X-Men Cinematic Universe has not been a shining example of consistency in superhero movie franchises. There have been three characters called Angel, only two of which are versions of Warren Worthington III, two Jubilees, two different Bolivar Trasks, and no solid grasp on when Scott Summers was born.
That said, most of these problems don’t become apparent until X-Men: Days of Future Past, and I want to argue that Bryan Singer is the man who ruined the XMCU’s internal coherence, mainly through negligence and an inability to recognize how time travel works. Singer’s return to the franchise lead to several temporal impossibilities, and while telling a story involving time travel can be complicated, the mistakes made here are really basic.